Recently I had been reading a fair amount about these Monitor Audio silver series speakers and I wanted to give them a listen. A store I had some experience with listed Monitor Audio stuff on their website, so I give my contact there a call. We talked a bit about Monitor and he said that they actually stopped carrying Monitor because they felt they underperformed and were overpriced. He is a sales guy tho and I figured I would take what he said with a grain of salt. He also said he felt the Paradigm Studio line was much better for about the same price. (Again, sales guy.) I said OK and that sounded interesting, and he also reminded me I could trade in my Paradigm Monitor 5's I had purchased there earlier for the price I paid for them and apply that to whatever I bought from his store. Of course, that expands my budget a bit so I figured it was worth looking into. I did some reading of reviews and such on the web of the Paradigm Studio 60 speakers and was impressed by what I read. Stereophile had a good
review of them so I figured why not go in and give them a listen.
So around 11:30 or so on Saturday morning I rolled into the store with my trusty CDs. The tracks I used for all of my listening on Saturday were, as follows:
Come Away With Me and
Turn Me On from Norah Jones'
Come Away with Me
,
I Love You from Sara McLaghlan's
Surfacing
, Sunny Sumter and the Larry WIllis Quartet :
Nick of Time from
Mapleshade's Music Festival
,
Der Holle Rache from Mozart's Die Zauberflote from
20 Great Soprano Arias
and
What Would You Say from Dave Matthews Band
Under the Table and Dreaming
. I found my contact and he set me up in the back room with the Studio 60s with a Rotel CD player, a Rotel amplifier and a comfortable chair and let me have at it.
I would say that starting out I really liked the Studio 60s. They disappeared into the room well, had good imaging, a nice low end and good piano reproduction. However, with some of the female vocals and especially the DMB track I felt they were really bright and harsh. At times quite painful to listen to. I have to admit that disappointed me a bit after what seemed like a strong start. After that some other customers came in and I just kinda hung out while they did their thing, my contact had gone off and was working with some other people. (That was OK by me, he is a good guy, and knows to not be pushy). These 3 guys came in after a bit and were there specifically to listen to the Paradigm Signature S4 speakers. This was great because while I was listening to the Studios the Signatures were right behind me and I kept wondering how they sounded. So the guy who was thinking about purchasing them sat in the chair while his 2 friends and I settled in to see how they sounded. At first I have to admit they sounded pretty bad. This was especially disappointing as they were $2800 per pair. They had a good soundstage, and decent detail, but really really lacked any oomph. They are stand mounted (the same size and shape as my Monitor 5s) but for $2800 with a 2.5 way design I was not impressed. Fortunately, neither was the sales guy that was helping these 3 guys. He kept fussing with the electronics (Mostly Anthem gear) and complaining about the CD player (An Integra) and telling us how much he loved the Signature series and how this room did not really do them justice. And that the building was built in 1884. He finally gave up on those electronics as the 3 guys were about to leave and whisked the S4s out to the front room where he hooked them up to a simpler system (both of the systems in the back room were built to do HT as well as stereo) of Marantz gear. He talked the 3 guys into giveing the S4s one more shot and fired them up with this new system. They did sound a lot better. Unfortunately for the sales guy it was not enough to keep these 3 guys from making a hasty exit. Fortunately for me this left me with the S4s hooked up to a pretty nice system with another comfortable chair. I did not go through my whole listening set with the S4s because I had already heard a bunch of them so I just wanted to check a few things. They did have good imaging, GREAT vocals, GREAT piano reproduction, but still not a lot of low end. Way more than in the other room, but not enough to satisfy.
So I packed up my stuff and found my contact and we talked a bit before headed out.
I got in my car and headed down the road towards another audio store I like. I looked at my clock and discovered it was 3pm, and I had not had lunch. To the
Potbelly Sandwich shop for a sandwich and, of course, a cookie!
After lunch I arrived at my second stop to listen again to the Vandersteen 2CE sigs and the Spendor S5es, since they were kind of my reference products. I started with the Vandersteens and right away they blew away everything that I had head that day so far. I was in a small side room and I was using a Rotel integrated amp (150wpc) and a top loading CD player, the brand of which I forget. The Vandersteens really sounded great on the first few tracks I listened to, but when I got to some of the busier stuff, the DMB in particular, they sounded a bit compressed and a bit mushy. This could be the recording, as it is not really engineered well, or it could be the small room with hard walls bouncing the sound all over the place. I really want to listen to these again in a bigger room. The Spendors were also quite good, an amazing soundstage for their size, but they felt a little thin with the Opera and some of the female vocals. I would like to hear them again with my amp.
So, the gear at the second store I really felt sounded better. Though after the electronics debacle with the S4s at first store I have to wonder a bit if the brightness of the Studio 60s was perhaps due a bit to the electronics. I would be curious to hear these again in a more controlled, less complicated setup. I do not expect it to change much, but it would be an interesting experiment.
So if I were to buy today (which I am not) I think I would go with the Vandersteens. They felt like they had a slightly richer sound than the Spendors, but I would really like to get both of them out of that small room and give them some space to breath. So at 5pm I headed out of the second store with not a whole lot of new information, but a sense that I did accomplish something. What, I am really not sure.